You’re laughing the silk poinsettia
Xmas necktie again, the one the fuchsia bush ties on for
another hungover magenta Sunday here in
statussymbolland & laughing
an HO gauge Lionel trainwreck, the requisite
catastrophe: jumping the tracks at Santa
Rosa sometime in March 1987 when you yourself were feeling a
tad like a bicycle perhaps—
jumping the tracks under the indefatigable
lemonade sunshine you can sip if you like thru this pleated
straw—
the trainwreck spilling cedar waxwings &
eggplants & a passel of gorgeous scarlet yo-yos soaring let’s say just
for the heck of it into the clouds etc
I’m constantly astounded by such things: & June busting thru
as usual like a headstrong taxi nailing a puddle—
Don’t contradict me!
I’ll deny nothing: you somewhere else in that pink & green neon-hemmed
black pleated skirt: the night itself with its tons & tons of black coffee dis-
solving sugary stars into sugar itself & as I was saying a neon-hemmed
skirt
advertising Vegas
sexy as a 2-door Cadillac Coupe de Ville rolling over
the Mojave northward ex-
ploding San Francisco snowdome calendars skyrocketing out the power
windows, rolling from
diner to event horizon to diner
like a flying saucer
like a flying saucer sporting a bonnet with actual
gardens sprouting on it— which is 100% demonstrable
fact, this happening— which includes a waterfall falling then falling some
more,
such a silky lincoln green
necktie with big coin print, such a cascade of schmaltzy
Nilsson songs with their own astonishing beauties, such
a torrent of surfactants— i.e. your laughter & crankiness &
nobody knows your business &
nobody knows your business— & fugitive goldfish & April showering
strawberries strawberries strawberries & stubborn
Vietnamese lunch menus, in essence they’re bad translations from
Les Misérables
with a touch of fish sauce
& fragments from 10,000 homeless nasturtiums scattered across
the know universe & across the first
drive in theater in Camden NJ 1933
& you somewhere else
But you are most assuredly NOT NJ whatever else I might say
I might say for instance bird’s nest soup or I Didn’t Know What Time It Was
as if I were actually Frank Sinatra oozing Extra
Virgin Olive Oil
all over the antipasto’s black tree-lined avenues— but
the checkered tablecloths were spectacular as ever!—
Spectacular!
but more like an opera actually, actual plastic redshell turtles glued to the
terrarium rocks & of course your weekly horoscope with its fits & its
empty hands & a half a grapefruit—
as if I were actually Frank Sinatra though I’m really neurotic & twitchy, I’m
Rudy Vallee with a redwing blackbird’s
heart where my tongue ought to be
Take my word for it! Things are always this way:
black penny loafers aching for a shine & actually feeling about as
dumb as
a Bellows Falls VT wishing you were here postcard especially if seen thru
basically octagonal glasses brimming with
hummingbirds swirling kaleidoscopes, a diet
Mountain Dew effervescing into
lily of the valley in a glass
snowdome, a field deep in the depths of darkest Sonoma comprised of
lime sorbet a misplaced blue sailboat sailing west by southwest thru a #1
PETE plastic Pine-Sol bottle
a skyblue-pink
TV set hovering
where the sunset was supposed to be, a blackrose print
dress speaking perfect French & hovering
on its own lonely clothesline— black penny loafers self-conscious meantime
as a frozen vanilla yogurt upside-down on the sidewalk i.e. the paper
cone’s downside & nothing to say but
See you in the funny papers or else
Adios!
I’m OK actually I feel like a blue light blue
moon on any godforsaken Saturday in the most Pabst Blue Ribbon-
ridden cocktail lounge on Valencia— or else
like a raspberry bush with its bruised
ego & angst & feeling slightly preposterous sporting as no plant has ever
the black silk full moon
rising necktie you’re laughing thru your
117 moods
each in a different shade of green
I don’t doubt the world or fate
much
but I’m standing by a cup of tea in my hand
but maybe it’s not your cup of tea
Jack Hayes
© 2010
Sunday, April 25, 2010
Sunday, April 18, 2010
Journal
when the sky’s tumbling into a heap of frustrated
nightsticks the cops with their sea of cop-
ernicus eyes gawking luridly & gray at the
balloons in disarray
which are red & Israelite with memories of the
desert the silhouettes of Joshua trees the tawdry
Rte 66 gift shops lurching into view straight out of the pages
of Bullfinch
the hedge had a baltimore oriole nest hidden just out of the
king snake’s reach
there are only 16 things left in the world besides memory
green eyes a television set a pair of Reeboks a baseball glove a
cheeseburger etc
I can’t remember what to say after we say good-bye
& the blinds are drawn &
the oven’s turned off the
streetlight on Grove St glaring into my eyes well
sleeping’s sort of irrelevant when everybody wants to smoke &
be in love with you & be somewhere dancing
Jack Hayes
© 1996-2010
nightsticks the cops with their sea of cop-
ernicus eyes gawking luridly & gray at the
balloons in disarray
which are red & Israelite with memories of the
desert the silhouettes of Joshua trees the tawdry
Rte 66 gift shops lurching into view straight out of the pages
of Bullfinch
the hedge had a baltimore oriole nest hidden just out of the
king snake’s reach
there are only 16 things left in the world besides memory
green eyes a television set a pair of Reeboks a baseball glove a
cheeseburger etc
I can’t remember what to say after we say good-bye
& the blinds are drawn &
the oven’s turned off the
streetlight on Grove St glaring into my eyes well
sleeping’s sort of irrelevant when everybody wants to smoke &
be in love with you & be somewhere dancing
Jack Hayes
© 1996-2010
Sunday, April 11, 2010
Dr. Zhivago
In this film I'm not quite dead but I'm just as good as because I'm a snowman; & besides she's wearing a wool cap, which gets my attention. There was something, too, about catching a train, & the train meantime was inching up the elevator shaft or somewhere else it's snowing like crazy & in the Cyrillic alphabet or, as you might guess, a bit effervescently like this string of white Xmas lights exploding into still photos of her 93% naked. I've said that before. It's not like a string of white Xmas lights exploding into still photos of her 93% naked, it's like a flurry of eyeballs each staring fixedly behind a monocle. I told her it's 7:23 in Berlin & there are few poems that could compare with the goldfinches singing in her underthings or some other French lyrical malarkey about jewelry, rhododendrons & grecian ruins undergoing a blizzard; but as desperately as I was looking for an orthodox church & a Pennsylvania Dutch quilt with complex memories of her pajamas, just then I was somewhere else; & who doesn't understand that desperate sense of being displaced when someone passes the borscht through the clouds, through the Bolsheviks in their rabbit-fur hats & through that piquant aroma of copulation that accompanies every good meal, & all the while you're thinking of making it like souls in bliss in a house full of 16 tons of snowdrifts: though to be honest you're utter strangers, not to mention you're a snowman. But I told her it's 9:30 a.m. in Moscow & I need to get inside. There were a few other non-sequitors, for instance my moustache becoming the 1 sentence of a love letter that'll penetrate the centuries like a passenger train, its sleeper cars awash in snowstorms— but it really wasn't like a flurry of eyeballs each staring fixedly behind a monocle, it was like a seasick dictionary. Words, words, words. Right now it's hard to say why I'm thinking so much about her amidst the dead sockeye salmon gillcovers & the brokendown zambonis & the crumpled Personals section & the baggy Russian monsters. It's hard to say anything. That's what winter means, folks. The world is flat & so is this beach. Skating across the Pacific. Skating across the Pacific we fall in love & then through the black ice thousands of miles west of Waikiki. Under the dense & frozen waves you could see boxes of chocolates that sailors have been tossing overboard since time immemorial. I was about 7 then & drowning in the rural town pool's black water; at the bottom was a no-wax ice rink linoleum floor chock full of figure skates cutting her silhouette into a map of upstate NY's unhappy arthritic finger lakes, & there I was becoming a balalaika. Thank god it didn't hurt, & on top of that, here I was, if not dead as a doorknocker, then a snowman at least laying with her under a ton of salt & beach balls & dog sleds. If this
ain't love, what is it? Nonetheless, I'm inundated with realists. Nonetheless, the revolution is tramping on snowshoes towards the Ice Palace. At last we have reached that delicious place where everything makes sense, but here amidst the Kleenex & the tortured teeth & the blowfish & the hypothermic gloves, who can tell who actually had a mind of winter? Good-night, my one-&-only, I'm floating away from your lovely wool face through the ice & through the regions of space where there isn't an awful lot of matter, just a few mongrel stars & a tavern with Rhinegold on tap. When next we meet I’ll practically be an iceberg.
Jack Hayes
© 1990-2010
ain't love, what is it? Nonetheless, I'm inundated with realists. Nonetheless, the revolution is tramping on snowshoes towards the Ice Palace. At last we have reached that delicious place where everything makes sense, but here amidst the Kleenex & the tortured teeth & the blowfish & the hypothermic gloves, who can tell who actually had a mind of winter? Good-night, my one-&-only, I'm floating away from your lovely wool face through the ice & through the regions of space where there isn't an awful lot of matter, just a few mongrel stars & a tavern with Rhinegold on tap. When next we meet I’ll practically be an iceberg.
Jack Hayes
© 1990-2010
Sunday, April 4, 2010
Love Song #57
It was one of those nights the wind has lots of hands all groping for 16th notes the turntable spits out spinning off whistling black lips without any body— they sounded like a clarinet wheezing a kiss through exsanguinating teeth & it emanates from this birdcage that's in fact a wire mannequin's pelvis & there're no sleeping parakeets there, there's only a radio perched on the edge of a precipice & a pair of mirror sunglasses looking lonesome without a face;
& each hand gestured desperately like the hotel's curtains, & just as out-of-breath & as stitched at the wrists, because one night at the same time Gwendoline snatched the pentangle down through the curtains thinking eternity & The Sunday Funnies as well as I want a blue ballpoint— which is nothing if not blue blue eyeballs exsanguinating— they'd come to realize they were not so happy as everybody thought they must be;
& each hand had a few too many blue blue eyeballs bursting the seams i.e. the lifeline, the loveline, they looked like paper napkins folded into hats transformed to the Sunday Funnies folded into hats— as if some stupendous haberdashery had been turned upside-down & shaken through the curtains & then over the edge of the precipice;
& there wasn't much wine left & what there was tasted like combs & paper napkins & Gwendoline's blue blue eyeballs, it tasted like dried roses in a Mexican chapel, except it was white— & Jackson sat slumped on the edge of the bed because he'd come to realize he was not so happy as everybody thought he must be, in fact he was out-of-breath like a turntable & had had a few too many, he was a sleeping parakeet caged in a mannequin's wire pelvis & at the same time slouching without a face inside his raincoat;
& as I was saying there wasn't much wine left behind in that hotel with stupendous curtains & what there was swarmed with spongilla & ciliata & hydrozoan polyps & of course flagella enacting a tableau from this Pompeian fresco emanating halos & combs & whirling black lace personal things stitched at the wrists, or was it actually the Sunday Funnies folded into hats;
& Gwendoline sat on the edge of the bed, the bed was a turntable whirling black lace personal things on a stiffened finger, & these things were actually black lips whistling without a face, & as I was saying this turntable it was spinning 16th notes into long black hairs combed straight through teeth through an out-of-breath clarinet;
& that clarinet spit up bloody teeth, it was the kind of kiss Gwendoline recoiled from tasting, all spongilla & ciliata & hydrozoan polyps & also this exsanguinating rose halo— she thought she must have been drunk in a Mexican chapel, & she was tired already from resuscitating so many suffering bastards;
& Gwendoline wondered what she should do with her hands, they were desperate gestures stitched at the wrists— or were those actually stitches or were they pentangles Jackson's blue blue ballpoint had inked in at the same time he was thinking paper napkins or 16th notes, because he was perched on the edge of eternity like a hat;
because it was one of those nights the wind has lots of teeth, when everybody realizes they're not so happy as everybody thought they must be, i.e. they would be headless mannequins sleeping in a Mexican chapel except they're white & unresuscitated, & Jackson's wheezing drunk on the edge of the bed, he's slouched inside his raincoat & at the same time recoiling from flagella's long black lifelines & lovelines stitched into the Sunday Funnies among the suffering bastards;
& Gwendoline sat on the edge of the bed, she was a radio perched on the edge of a precipice, which was in fact as like eternity as the hotel's curtains transformed to mirrored sunglasses, or was it pentangles the black lips spit up— because at the same time she realized she was not so happy as everybody thought she must be, i.e. she could not in fact be a halo, because Jackson's folded into a hat & stitched at the wrists & she's the flagellation tableau from a Pompeian fresco which is actually the Sunday Funnies upside-down in a birdcage;
& there wasn't much wine left & what was undrunk was actually exsanguinating roses & as I was saying it got shaken out like black lace personal things when the turntable's transformed to wind amongst lots of whirling hands, except the wine was white though it tasted like a raincoat & at the same time Jackson was perched without a face on the edge of a precipice like a 16th note groping for a kiss;
& Gwendoline wondered what she should do with her hands.
Jack Hayes
© 1990-2010
& each hand gestured desperately like the hotel's curtains, & just as out-of-breath & as stitched at the wrists, because one night at the same time Gwendoline snatched the pentangle down through the curtains thinking eternity & The Sunday Funnies as well as I want a blue ballpoint— which is nothing if not blue blue eyeballs exsanguinating— they'd come to realize they were not so happy as everybody thought they must be;
& each hand had a few too many blue blue eyeballs bursting the seams i.e. the lifeline, the loveline, they looked like paper napkins folded into hats transformed to the Sunday Funnies folded into hats— as if some stupendous haberdashery had been turned upside-down & shaken through the curtains & then over the edge of the precipice;
& there wasn't much wine left & what there was tasted like combs & paper napkins & Gwendoline's blue blue eyeballs, it tasted like dried roses in a Mexican chapel, except it was white— & Jackson sat slumped on the edge of the bed because he'd come to realize he was not so happy as everybody thought he must be, in fact he was out-of-breath like a turntable & had had a few too many, he was a sleeping parakeet caged in a mannequin's wire pelvis & at the same time slouching without a face inside his raincoat;
& as I was saying there wasn't much wine left behind in that hotel with stupendous curtains & what there was swarmed with spongilla & ciliata & hydrozoan polyps & of course flagella enacting a tableau from this Pompeian fresco emanating halos & combs & whirling black lace personal things stitched at the wrists, or was it actually the Sunday Funnies folded into hats;
& Gwendoline sat on the edge of the bed, the bed was a turntable whirling black lace personal things on a stiffened finger, & these things were actually black lips whistling without a face, & as I was saying this turntable it was spinning 16th notes into long black hairs combed straight through teeth through an out-of-breath clarinet;
& that clarinet spit up bloody teeth, it was the kind of kiss Gwendoline recoiled from tasting, all spongilla & ciliata & hydrozoan polyps & also this exsanguinating rose halo— she thought she must have been drunk in a Mexican chapel, & she was tired already from resuscitating so many suffering bastards;
& Gwendoline wondered what she should do with her hands, they were desperate gestures stitched at the wrists— or were those actually stitches or were they pentangles Jackson's blue blue ballpoint had inked in at the same time he was thinking paper napkins or 16th notes, because he was perched on the edge of eternity like a hat;
because it was one of those nights the wind has lots of teeth, when everybody realizes they're not so happy as everybody thought they must be, i.e. they would be headless mannequins sleeping in a Mexican chapel except they're white & unresuscitated, & Jackson's wheezing drunk on the edge of the bed, he's slouched inside his raincoat & at the same time recoiling from flagella's long black lifelines & lovelines stitched into the Sunday Funnies among the suffering bastards;
& Gwendoline sat on the edge of the bed, she was a radio perched on the edge of a precipice, which was in fact as like eternity as the hotel's curtains transformed to mirrored sunglasses, or was it pentangles the black lips spit up— because at the same time she realized she was not so happy as everybody thought she must be, i.e. she could not in fact be a halo, because Jackson's folded into a hat & stitched at the wrists & she's the flagellation tableau from a Pompeian fresco which is actually the Sunday Funnies upside-down in a birdcage;
& there wasn't much wine left & what was undrunk was actually exsanguinating roses & as I was saying it got shaken out like black lace personal things when the turntable's transformed to wind amongst lots of whirling hands, except the wine was white though it tasted like a raincoat & at the same time Jackson was perched without a face on the edge of a precipice like a 16th note groping for a kiss;
& Gwendoline wondered what she should do with her hands.
Jack Hayes
© 1990-2010
Sunday, March 28, 2010
Poem
the moon's less green than yellow
it has a plan a
chinese take-out menu
the sunday funnies
of course there were trees
fish skeletons a
few numbers grew among them a 4 &
blue beds & window-box coral & your hands
this is the plan
get a stupendous green car
drive past the sleeping halos into the sky-
gray sky to the door
of the house wearing a hat wishing it were a star
keep driving to the brink of day
Jack Hayes
© 1990-2010
it has a plan a
chinese take-out menu
the sunday funnies
of course there were trees
fish skeletons a
few numbers grew among them a 4 &
blue beds & window-box coral & your hands
this is the plan
get a stupendous green car
drive past the sleeping halos into the sky-
gray sky to the door
of the house wearing a hat wishing it were a star
keep driving to the brink of day
Jack Hayes
© 1990-2010
Sunday, March 21, 2010
Heaven #3
Hushed as a fishtank amongst the cock-eyed stars
* * *
The stars aren’t flowing downstream they’re static
* * *
Eating tortellini with pesto & just the proper shower of black pepper &
slices of Granny Smith apple
* * *
I suppose the desert’s just another big sky-blue American car you can sleep in
* * *
The gray sky kind of cracking at 5:00 a.m.
* * *
A humungous iceskating palace crammed to the rafters w/rusted
Chevies
The windows don’t open & it’s raining
* * *
The stars hung to dry over Mission Dolores, probably
sad themselves; we were having a perfectly sober chat about
domestic life
* * *
Feeling categorically empty at the bottom of the well
surrounded by tarnished pennies
* * *
The mailman was extremely, one might say perilously, late that day
* * *
Somewhere it’s midnight in an peach orchard where Max is
strumming a mandolin in lieu of gathering fruit
* * *
Cat’s-eye shades that yearn to be butterflies. A yen for gothic literature.
* * *
A teacup filled w/evil conundrums & blue eye shadow. A cigarette holder that doubles as a letter opener. The mailman delivers.
* * *
A mirage, a gasoline stain smearing rainbows across the pavement
until it shimmers into a dim glimmery swimming pool.
* * *
Dilapidated hurachi sandals slapping anapests
* * *
Fire trucks
* * *
There was such a profusion of golf balls orbiting the earth at that precise latitude. You could see them day or night, marking perfect parabolas, with a yen to become true satellites.
* * *
A peasoupgreen trolley car an easter bonnet an elmtree
Jack Hayes
© 1990-2010
* * *
The stars aren’t flowing downstream they’re static
* * *
Eating tortellini with pesto & just the proper shower of black pepper &
slices of Granny Smith apple
* * *
I suppose the desert’s just another big sky-blue American car you can sleep in
* * *
The gray sky kind of cracking at 5:00 a.m.
* * *
A humungous iceskating palace crammed to the rafters w/rusted
Chevies
The windows don’t open & it’s raining
* * *
The stars hung to dry over Mission Dolores, probably
sad themselves; we were having a perfectly sober chat about
domestic life
* * *
Feeling categorically empty at the bottom of the well
surrounded by tarnished pennies
* * *
The mailman was extremely, one might say perilously, late that day
* * *
Somewhere it’s midnight in an peach orchard where Max is
strumming a mandolin in lieu of gathering fruit
* * *
Cat’s-eye shades that yearn to be butterflies. A yen for gothic literature.
* * *
A teacup filled w/evil conundrums & blue eye shadow. A cigarette holder that doubles as a letter opener. The mailman delivers.
* * *
A mirage, a gasoline stain smearing rainbows across the pavement
until it shimmers into a dim glimmery swimming pool.
* * *
Dilapidated hurachi sandals slapping anapests
* * *
Fire trucks
* * *
There was such a profusion of golf balls orbiting the earth at that precise latitude. You could see them day or night, marking perfect parabolas, with a yen to become true satellites.
* * *
A peasoupgreen trolley car an easter bonnet an elmtree
Jack Hayes
© 1990-2010
Sunday, March 14, 2010
Another Legend Without A Red Convertible In It
There was something like snow I think the sky spit
out it could have been postage stamps steamed off envelopes
it could have been candy kiss wrappers
too bad it wasn't Though someone says
Alcoholics Anonymous it's No Exit's sentences reflected in a gin
gimlet's remains make Victor's head swim like that
but it could have been
frosted artificial fingernails Nuncle Artie'
d like to gnaw he feels toxic caustic metastatic
as if he were lost in deep space nebulae above
Las Vegas As for the sky
it could have been diet pills it could have been the fizz
's 1000 fisheyes as if this were just another evening
Dixie spent drifting through the bathtub speedread-
ing Schopenhauer & the Personals & bubbles that could
have been
snowdomes if they weren't soapsuds if they weren't thought
balloons there was something inside them if it wasn't plastic
roses it was homunculi chirping snatches of
Blue Velvet & asinine Schubert lieder
& Judy Garland's mouth was there someplace a taste of
eucalyptus coughdrops & butibarbitol melting under her
tongue don't ask me why she does that those bubbles
exploded off
the Rum & Coke Dixie sipped washing them down there
were 250
miles left to travel through the known world including
all the horrors and hoo-rahs of Utah the
Great Salt Desert's white skin's a car crash waiting
for Jayne Mansfield to happen it had that same sense of tragic
preposterous happenstance as The National Enquirer & was
as flat Let's go mumbled Victor like the reincarnated
Jean-Paul Belmando he felt like just then & in general
as hooked on Lucky Strikes too Back to the sky
it could have been nickels the one-armed bandit
coughed up the sun at the vanishing point of Winnemucca's
main drag seemed no more no less blonde rising that
morning than
Miranda her hair could have passed for Pernod merging with smoke
or some equally poetic vapor she was someone Nuncle Artie
wanted desperately to
drink there were never any other tomorrows he could walk in on
there were checkered tablecloths & horoscopes
& copulating ice cubes whatever that
meant She tells him Get a life
that moment she felt she could understand Elsa Lanchester's
dilemma everything's alive including herself
everything began with an F
as in Felix Culpa who's staggered clear from
the innards of a Holiday Inn sign in Needles the one
Victor & Dixie'd eaten Coconut
Cream Pie scribbled exquisite cadavers on napkins drunk Coc-
a Cola smoked dope in the parking lot at They were looking for
junk supposedly stashed in the bronze
Impala's glove compartment turgid as Bangkok & looked for
spaceships zooming westward like postcards through the
pink cellophane sunset stretched above the Kingman MacDonald's
Dixie chewing Bazooka
Joe Bubblegum read aloud The Poetics of Space & Dear Abby
looking
for answers no one knew the questions
to the news-
print's Baskerville typeface was something else the sky spit
out another tragedy on the rose-pink
horizon another mov-
ie Nuncle Artie's masticating phone numbers during like
popcorn actually he's choking on raw
stockings this is the way the world ends he quotes he didn't
look
anymore like TS Eliot sporting a Stetson than
any other compulsive masturbator he keeps his false
teeth his ballerinas his fugitive numerals in the water-
spotted glass on the dresser steeping in Polident his hands
are Raggedy Ann dolls his body's a doubleknit
suit hung-up undrycleaned in the Oldsmobile's
backseat window viewed in passing like a late night TV
commercial
the sort the frolicking goddesses of banana splits
whisper true love throughout he doesn'
t think Hegelian suicide in so many words it's
a fact of life like scads of pink paper parasols scattered
across the polyurethane bar that thinks it's a mirror
of course there's not much hope for
Nuncle Artie in any purple kimono sky good-bye
I can't say I knew him that well everybody'
s alone in this world & so forth Victor for instance whose
favorite
words are laughing bones fedora dope & void he does-
n't look like Robert Frost he feels like him sometimes
meantime
the lounge's Bride of Frankenstein Motorola's blue
capillaries rippled the picture
tube's screen it was someone's face Dixie
couldn't place though she wants to kiss it if it wasn't
Proust it could have been any drag queen crooning
Over the Rainbow which gives her the strength to live
the next five minutes She feels like a Vivaldi violin
concerto about as labile
like a string of bubble lights
love's everywhere then for a millisecond it
reminds her she once saw Carmen Miranda's
plastic grapes plastic apples plastic
apricots spilling hopeful though bruised through Lodi's clear
blue sky
the taste of amyl nitrate
urgent she thought on her palate that was last August
so many temblors ago
hello it's Felix Culpa reduced after
25 hours of doubling down at the Blackjack
table to Patsy Cline's bolo tie a seashell a tarnished angel
hood ornament the sheet music to Roy Orbison's
It's Over & a state map placemat He'll never plant
a wet one on Miranda like a
fallen star floating on top of a cocktail
& as for the sky it could have been
snow swirling out from one of any number of luminous
TV's descending incandescent just then through spheres
of fire above Nevada Victor thinks
you can look for love in all the wrong places for instance the
lobby amongst the smoldering carnations ditched in the sand
ashtray Miranda's
exasperated with this poem already she tells me point-blank
she expected No Exit except in a
Motel 6 in Tucumcari one of those Hope-Crosby Road
extravaganzas gone wrong
like everything else she's been put together
Tyrone Power's soul in a zaftig Clara
Bow body the Katzenjammer
Kids on the loose in her head that's where they vanished
to from the contemporary desolation of the Sun-
day comics page the sky spits
out in the midst of a jazz
radio station's confusion having taken a wrong turn off I-
80 west of Provo in this snow-
storm Some people are rushing east as if their veins ran
crystal meth & memories of the good old days when Albrecht
Dürer
painted himself as Christ ev-
erybody's Christ
nowadays this is a problem while
the sky spits out Jean-Paul Sartre's spectacles Miranda's
vodka & orange juice manifesto Felix Culpa's genuine Navaho
barbed wire necktie & bad luck a ticket parts
unknown the sky for instance Victor & Dixie wish
they could move there like all the other test tube radioactive
effervescent infants hooked on
Tosca & all-purpose cleaners what
do I care I'm a celestial road map no one folded they've got
miles to go before they sleep & miles to go before they sleep
Jack Hayes
© 1990-2010
out it could have been postage stamps steamed off envelopes
it could have been candy kiss wrappers
too bad it wasn't Though someone says
Alcoholics Anonymous it's No Exit's sentences reflected in a gin
gimlet's remains make Victor's head swim like that
but it could have been
frosted artificial fingernails Nuncle Artie'
d like to gnaw he feels toxic caustic metastatic
as if he were lost in deep space nebulae above
Las Vegas As for the sky
it could have been diet pills it could have been the fizz
's 1000 fisheyes as if this were just another evening
Dixie spent drifting through the bathtub speedread-
ing Schopenhauer & the Personals & bubbles that could
have been
snowdomes if they weren't soapsuds if they weren't thought
balloons there was something inside them if it wasn't plastic
roses it was homunculi chirping snatches of
Blue Velvet & asinine Schubert lieder
& Judy Garland's mouth was there someplace a taste of
eucalyptus coughdrops & butibarbitol melting under her
tongue don't ask me why she does that those bubbles
exploded off
the Rum & Coke Dixie sipped washing them down there
were 250
miles left to travel through the known world including
all the horrors and hoo-rahs of Utah the
Great Salt Desert's white skin's a car crash waiting
for Jayne Mansfield to happen it had that same sense of tragic
preposterous happenstance as The National Enquirer & was
as flat Let's go mumbled Victor like the reincarnated
Jean-Paul Belmando he felt like just then & in general
as hooked on Lucky Strikes too Back to the sky
it could have been nickels the one-armed bandit
coughed up the sun at the vanishing point of Winnemucca's
main drag seemed no more no less blonde rising that
morning than
Miranda her hair could have passed for Pernod merging with smoke
or some equally poetic vapor she was someone Nuncle Artie
wanted desperately to
drink there were never any other tomorrows he could walk in on
there were checkered tablecloths & horoscopes
& copulating ice cubes whatever that
meant She tells him Get a life
that moment she felt she could understand Elsa Lanchester's
dilemma everything's alive including herself
everything began with an F
as in Felix Culpa who's staggered clear from
the innards of a Holiday Inn sign in Needles the one
Victor & Dixie'd eaten Coconut
Cream Pie scribbled exquisite cadavers on napkins drunk Coc-
a Cola smoked dope in the parking lot at They were looking for
junk supposedly stashed in the bronze
Impala's glove compartment turgid as Bangkok & looked for
spaceships zooming westward like postcards through the
pink cellophane sunset stretched above the Kingman MacDonald's
Dixie chewing Bazooka
Joe Bubblegum read aloud The Poetics of Space & Dear Abby
looking
for answers no one knew the questions
to the news-
print's Baskerville typeface was something else the sky spit
out another tragedy on the rose-pink
horizon another mov-
ie Nuncle Artie's masticating phone numbers during like
popcorn actually he's choking on raw
stockings this is the way the world ends he quotes he didn't
look
anymore like TS Eliot sporting a Stetson than
any other compulsive masturbator he keeps his false
teeth his ballerinas his fugitive numerals in the water-
spotted glass on the dresser steeping in Polident his hands
are Raggedy Ann dolls his body's a doubleknit
suit hung-up undrycleaned in the Oldsmobile's
backseat window viewed in passing like a late night TV
commercial
the sort the frolicking goddesses of banana splits
whisper true love throughout he doesn'
t think Hegelian suicide in so many words it's
a fact of life like scads of pink paper parasols scattered
across the polyurethane bar that thinks it's a mirror
of course there's not much hope for
Nuncle Artie in any purple kimono sky good-bye
I can't say I knew him that well everybody'
s alone in this world & so forth Victor for instance whose
favorite
words are laughing bones fedora dope & void he does-
n't look like Robert Frost he feels like him sometimes
meantime
the lounge's Bride of Frankenstein Motorola's blue
capillaries rippled the picture
tube's screen it was someone's face Dixie
couldn't place though she wants to kiss it if it wasn't
Proust it could have been any drag queen crooning
Over the Rainbow which gives her the strength to live
the next five minutes She feels like a Vivaldi violin
concerto about as labile
like a string of bubble lights
love's everywhere then for a millisecond it
reminds her she once saw Carmen Miranda's
plastic grapes plastic apples plastic
apricots spilling hopeful though bruised through Lodi's clear
blue sky
the taste of amyl nitrate
urgent she thought on her palate that was last August
so many temblors ago
hello it's Felix Culpa reduced after
25 hours of doubling down at the Blackjack
table to Patsy Cline's bolo tie a seashell a tarnished angel
hood ornament the sheet music to Roy Orbison's
It's Over & a state map placemat He'll never plant
a wet one on Miranda like a
fallen star floating on top of a cocktail
& as for the sky it could have been
snow swirling out from one of any number of luminous
TV's descending incandescent just then through spheres
of fire above Nevada Victor thinks
you can look for love in all the wrong places for instance the
lobby amongst the smoldering carnations ditched in the sand
ashtray Miranda's
exasperated with this poem already she tells me point-blank
she expected No Exit except in a
Motel 6 in Tucumcari one of those Hope-Crosby Road
extravaganzas gone wrong
like everything else she's been put together
Tyrone Power's soul in a zaftig Clara
Bow body the Katzenjammer
Kids on the loose in her head that's where they vanished
to from the contemporary desolation of the Sun-
day comics page the sky spits
out in the midst of a jazz
radio station's confusion having taken a wrong turn off I-
80 west of Provo in this snow-
storm Some people are rushing east as if their veins ran
crystal meth & memories of the good old days when Albrecht
Dürer
painted himself as Christ ev-
erybody's Christ
nowadays this is a problem while
the sky spits out Jean-Paul Sartre's spectacles Miranda's
vodka & orange juice manifesto Felix Culpa's genuine Navaho
barbed wire necktie & bad luck a ticket parts
unknown the sky for instance Victor & Dixie wish
they could move there like all the other test tube radioactive
effervescent infants hooked on
Tosca & all-purpose cleaners what
do I care I'm a celestial road map no one folded they've got
miles to go before they sleep & miles to go before they sleep
Jack Hayes
© 1990-2010
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